- Arthur Aeschbacher, Lyrisme lacéré, 1965
- Arthur Aeschbacher, Composition, 1958
- Bernard Aubertin, Tableau Clous, 1963
- Clive Barker, Black Coke with Straw, 2019
- Clive Barker, Red Coke with Straw, 2019
- Clive Barker, Yellow Coke with Straw, 2019
- Clive Barker, Blue Tit at the Milk, 2018
- Clive Barker, Early Morning Thief, 2018
- Clive Barker, Football Boots, 2016
- Clive Barker, Magritte's New Shoes, 2016
- Clive Barker, Magritte's Hat, 2008
- Bram Bogart, Gebied, 1963
- Bram Bogart, Naissance de Crépuscule, 1955
- Elie Borgrave, Untitled, 1969
- Elie Borgrave, Pôles dans le Temps, 1967
- Elie Borgrave, L'espoir des autres, 1961
- Elie Borgrave, Untitled, 1956
- Karl Fred Dahmen, Untitled, 1964
- Jírí Dokoupil, Fruits, 1994
- Paul Van Hoeydonck, PVH103 - Composition, 1961
- Paul Van Hoeydonck, PVH123 - Composition, 1960
- Paul Van Hoeydonck, PVH083 - Lightwork - Oeuvre Lumière, 1960
- Paul Van Hoeydonck, PVH116 - Composition, 1958
- Paul Van Hoeydonck, PVH023 - Composition, 1957
- Paul Van Hoeydonck, PVH042 - Composition, 1957
- Paul Van Hoeydonck, PVH081 - Carrefour Jaune, 1956
- Paul Van Hoeydonck, PVH035 - Composition, 1956
- Joseph Lacasse, Mouvement (Dia no. 4026), c.1957
- Joseph Lacasse, Mouvement (Dia no. 2405), c. 1965
- Joseph Lacasse, Tachisme (Dia no. 2380), 1935
- Joseph Lacasse, Lumière (Dia no. 1265), c. 1940
- Joseph Lacasse, Recherche (Dia no. 9301), 1936
- Joseph Lacasse, Composition (Dia no. 122), 1966
- Joseph Lacasse, Carrières (Dia no. 134), 1964
- Joseph Lacasse, Elévation (Dia no. 547), 1950-58
- Joseph Lacasse, Tachisme (Dia no. 2428), 1935
- Joseph Lacasse, Tachisme (Dia no. 520), 1935
- Michel Seuphor, Untitled, 1954
- Michel Seuphor, Intermède, 1959
- Guy Vandenbranden, Abstract Composition, 1973
- Guy Vandenbranden, Abstract Composition, 1973
- Guy Vandenbranden, Abstract Composition, c. 1973
- Frank Avray Wilson, FAW783 - Blue Nucleating, 1962
- Frank Avray Wilson, FAW858 - Interactions Green (Miniature), c. 1955
- Frank Avray Wilson, FAW779, 1963
- Reinhold Koehler, Figur SCH, Contre-Collage, 1968
- Reinhold Koehler, Plakat-Décollage 1957/3, 1957
- Reinhold Koehler, Décollage Brûlé, c. 1962
- Reinhold Koehler, Décollage Positiv-Negativ, 1961
- Reinhold Koehler, Contre-Collage 1964, 1964
- Reinhold Koehler, Décollage Gravé 1962 V/1 D1962-20, 1962
- Reinhold Koehler, Figur Ondo, Contre-Collage, 1968
- Reinhold Koehler, THORAX, Contre-Collage, 1964
- Reinhold Koehler, Plakat-Décollage, 1959
- Reinhold Koehler, Décollage Pur 1960 VII/7 D1960-24, 1960
- Reinhold Koehler, Objet Décollagé 1962 X, 1962
- Reinhold Koehler, Sandbild ROT , 1958-1959
- Reinhold Koehler, THORAX - Décollage Positiv-Negativ 1960/XII D1960-78, 1960
- Reinhold Koehler, Décollage 1958, 1958
- Reinhold Koehler, Sandbild, 1959-1960
- Reinhold Koehler, Décollage Pur D(1961)-63, 1961
Celebrating its 65th edition, BRAFA is the world's longest running and one of Europe's leading art and antiques fairs. The first major art event of the calendar year, it is considered a reliable barometer of the art market.
BRAFA, short for Brussels Antiques & Fine Arts Fair is organized every year by the Belgian Antiques Fair not-for-profit association. The first ever fair in 1955 was held in the Arlequin Hall of the Galerij Louiza. This first Belgian Antiques Fair, or Foire des Antiquaires de Belgique, copied the example of Grosvenor House in London and the Prinsenhof in Delft, but preceded similar fairs set up in Paris, Florence and Munich.
As the fair became increasingly successful and more and more antiques dealers wanted to take part, the need arose for a hall on a scale that could meet this growing demand. The range of art objects on display also continued to expand. Between 1967 and 2003, the fair was held in the "Palais des Beaux-Arts" in Brussels. In 2004 the Belgium Antiques Fair moved to the Tour & Taxis industrial site in the Noordwijk district of Brussels alongside the Willebroek canal: a true gem of Belgian industrial architectural heritage. Now that an ample exhibition space with a huge capacity was guaranteed, the Antiques Fair purposely sought to significantly increase the number of participants. Having grown from twenty Belgian antique dealers at the outset to around one hundred and twenty participants from both Belgium and abroad, the last few years have seen the Antiques Fair become an international fair on a European scale.
The Antiques Fair works hard to increase the quality of the participants each year, but always with the aim of retaining its own individual character. As well as this internationalisation, over the years the fair has also embraced modern and contemporary art. The Belgian Antiques Fair not-for-profit association was placed under the High Protection of Her Majesty the Queen on 30 September 2009.
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