Georges Bernède French, 1926-2023
C006 - Composition 64 - 1, 1964
Oil on canvas
66 x 51 cm
Framed: 67 x 52.5 cm
Framed: 67 x 52.5 cm
Signed and dated lower right
Signed and dated verso
Inventory number 31
Signed and dated verso
Inventory number 31
Although his work bears obvious similarities to that of Franz Kline, Bernède was never an imitator, for with Matisse as a starting point, his style evolved instinctively through disciplined research...
Although his work bears obvious similarities to that of Franz Kline, Bernède was never an imitator, for with Matisse as a starting point, his style evolved instinctively through disciplined research and progress, as his artistic development over the years testifies. Bernède first turned to Lyrical Abstraction during the early 1960s. Yet, in his continuous search to express the essence of life, to establish an analogy to musical rhythm and to touch the viewer deep into the subconscious mind, Bernède gradually grew to gestural painting. Whilst being deceptively subtle, these paintings have a dynamic, spontaneous and dramatic impact through the energetic application of the paint.
Provenance
The Artist
Exhibitions
2011, Georges Bernède, Whitford Fine Art, London
2021, BENDALL / BERNÈDE: A Story of Painting in Bordeaux, Whitford Fine Art, London.
Literature
Georges Bernède, exhibition catalogue with introduction by An Jo FERMON, Whitford Fine Art, London, 2011, ill.
BENDALL / BERNEDE: A Story of Painting in Bordeaux, exhibition catalogue with introduction by A.J. Fermon, Whitford Fine Art, London, 2021, cat. no. 19, ill.