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FERNAND KHNOPFF
1858-1921
A Fosset. De l'Eau Immobile
c.1894
Oil on board
Signed; Painted c.1894
16.5 × 35cm
EXHIBITED
Brussels, Museum of Modern Art, La Libre Esthetique, 1910, no. 113; Brussels, Museum of Modern Art, Fernand Khnopff et Vienne, 1987; London, Whitford and Hughes, Belgian Paintings 1880 - 1930, 1990.
LITERATURE
DELEVOY R.L., C. de CROES, G. OLLINGER-ZINQUE. Fernand Khnopff, Catalogue de l’Oeuvre, Lebeer Hossmann, Brussels, p. 41, no. 247 bis; Fernand Khnopff et Vienne, exhibition catalogue, Museum of Modern Art, Brussels, 1987, p. 17 and p. 102, no. 9; Belgian Paintings 1880 - 1930, Whitford and Hughes, London, 1990., cat. no 3. -
FERNAND KHNOPFF
1858-1921
Head of Hypnos
c.1891
Bronze
Monogrammed on the base
21 × 35.5 × 22cm
EXHIBITED
Brussels, Galerie L'Ecuyer, Fernand Khnopff, 1971, cat. no. 38; London, Whitford and Hughes, Visions Rich and Strange, 1982.
LITERATURE
DELEVOY R.L., C. de CROES, G. OLLINGER-ZINQUE. Fernand Khnopff, Catalogue de l’Oeuvre, Lebeer Hossmann, Brussels, 1979, cat. no. 363; Visions Rich and Strange, Whitford and Hughes, London, 1982, cat. no. 19. -
XAVIER MELLERY
1845-1921
L'Eternité et la Mort: Les Heures
1890
Watercolour, gouache and gold background on board, signed.
67 x 100.5 cm
EXHIBITED
La Libre Esthétique, Brussels 1894; Esthètes et Magiciens, Musée Galliera, Paris, 1970-1971; Whitford and Hughes, Visions Rich and Strange, London, 1982.
LITERATURE
MAUS, Octave. L'Art Moderne en Belgique, Revue Encyclopédique, 1897, p. 619; LEMMONIER, Camille. L'Ecole Belge en peinture. 1906, р. 15; Visions Rich and Strange, Whitford and Hughes, London, 1982, cat. no. 24.
PROVENANCE
With Whitford and Hughes, London in 1982; since 2006 on loan from a Belgian private collection to the Royal Museum of Fine Arts, Brussels. -
WILHELM LIST
1864-1918
Vision of Eternity
c. 1900
Oil on canvas
Signed
90 × 157cm
EXHIBITED
London, Whitford and Hughes, Moments et Follies de la Femme Fatale, 1985, cat. 17. -
VITTORIO ZECCHIN
La Principessa del Fuoco
c.1916
Tapestry, silk and gold thread
290 x 130cm
Executed c. 1916
EXHIBITED
Moments et Follies de la Femme Fatale, Whitford and Hughes, 1985, cat. no. 36. -
JAN TOOROP
1858-1928
Ian Regaards
Mixed media no paper (Gouache)
Signed
39 × 50cm
EXHIBITED
Visions Rich and Strange, Whitford and Hughes, London, 1982.
LITERATURE
JULIAN, Philippe and Jean-Claude GAUBERT. Rêves Symbolistes, Paris 1975, ill. no. 53; Visions Rich and Strange, Whitford and Hughes, London, 1982, cat. no. 25. -
GEORGE FREDERICK WATTS
1817-1904
Olympus on Ida
1885
Oil on canvas
Signed and dated, 1885
149 x 106 cm
EXHIBITED
London, Grosvenor Gallery, ‘Summer Exhibition' 1887, no. 57; Southport, Southport Centenary Exhibition, 1892, lent by W.R. Moss; London, The New Gallery: Works of G. F. Watts, RA Winter Exhibition, 1896-97, no. 68, lent by W.R. Moss; London, Royal Academy, Winter Exhibition 1905, no. 246; Thos. Agnew & Sons, Exhibition, 1959, no. 32; London, Whitford and Hughes, Summer Exhibition, London, 1983, cat. no. 1.
LITERATURE
BLACKBURN, Henry. Grosvenor Notes 187, London 187, p. 18, illustrated 'Atheneum, 1887; PHILLIPS, Claude. Expositions d'Eté de la Royal Academy et de la Grosvenor Gallery: 'Gazette des Beaux-Arts, Paris, July 1887, p. 87; CARTWRIGHT, Julia. The Life and Works of G. F. Watts; 'Art Journal', Easter Annual, 1895, p. 3; ELLSWORTH FORD. Julia and Thomas W. LAMONT. Pictures by George Frederick Watts. Fox, New York, 1904. WEST, W.K. and R. PANTINI. G.F. Watts, London, ill. plate 5; BLUNT, Wiflrid. England's Michelangelo, A Biography of George Frederick Watts,.London, 1975, p. 202, no. 752; Summer Exhibition, London, Whitford and Hughes, London, 1983, cat. no. 1.
PROVENANCE
Wlliam. R. Moss Esq., England; Thomas Agnew & Sons Ltd, London; Harry M. Hawkins, Oregon; 1959 Private Collection, Florida; Whitford and Hughes, 1981; John Schaeffer, Sydney; Andrew and Hiroko Gwinett who donated the work to the Art Gallery of South Australia in 2014. -
LUCIEN LEVY-DHURMER
French 1863-1953
La Bourrasque
c. 1896
Oil on canvas
Signed with initials L.L.
100 × 66cm
EXHIBITED
1983, Summer Exhibition, Whitford and Hughes, London, cat. no. 8. -
HERBERT JAMES DRAPER
1864-1920
Lamia
c. 1900
Oil on canvas
127 x 69 cm
EXHIBITED
Dreamers and Academics, Whitford and Hughes, London, 1982. -
GUSTAVE ADOLF MOSSA
1883 - 1971
Gretchen dans la cathédrale
1913
Pen, Ink and Watercolour
29 x 46.3 cm
EXHIBITED
Visions Rich and Strange 1880 - 1920, Whitford and Hughes, London, 1982, cat. no. 29.
I believe neither in what I touch nor what I see. I only believe in what I do not see, and solely in what I feel. - Gustave Moreau's quote about his painting practice fittingly illustrates Adrian's legacy in SYMBOLISM.